Fai click qui
per leggere la versione italiana
in Philadelphia, Shirley Scott
was raised listening to jazz music, since her father was the owner of a jazz
club in which such artists as Red Garland an Philly Joe Jones used
Her brother was a saxophone player and used to practice his instrument in
the jazz club, and since he needed somebody to play piano with him taught young
Shirley the first "right" chords.
Shirley got used to play with saxophone players, infact not only she
played for ten years with Stanley Turrentine (who also became her husband),
but also performed and recorded with Eddie "Lockjaw" Davis, Coleman
Hawkins, Buddy Tate, Charlie Rouse, Arnett Cobb,
John Coltrane and George Coleman.
In the sixties she recorded a lot, following the stream of the so-called
"soul-jazz", but she has always been bounded to the "bebop" lesson, not like a
lot of organ players which only used Hammond to produce always the same boring
records, containing only blues, blues and blues...
Since then, after some "pop" records for Atlantic in which she played
some hits of the 60's with such musicians as King Curtis, Bernard "Pretty"
Purdie and Hank Crawford, she performs in clubs and festivals all
over the world switching from piano to organ, always playing with her typical
grace and big knowledge of jazz idiom, from swing to bebop.
The MP3 files you can download are from the beginning of the 60's.
The first MP3 is the slow blues
Chops", from "Workin'"
(Prestige PRCD - 24126-2), recorded in
with Ronnell Bright - piano,
Wally Richardson - guitar, Peck Morrison - bass, Roy Haynes
The second one, "Secret
Love", is from "Soul
Shoutin'" (Prestige PRCD
42142-2), and it was recorded in
with Stanley Turrentine -
sax, Major Holley - bass, Grassella Oliphant - drums.
The solo in "Chopped
Chops", which is a
rrreeaally slow blues, is really fantastic...
Insert a comment
The sound she uses was also very often heard from Ray Charles, and
it's probably one of the ten original Hammond factory presets obtained pressing
one of the ten keys with reversed colors (from C to A) on the left of each
I tried to guess which drawbars setting this could be similar to, and it
should be something like 008888800...
This is a preset you should use playing on the lower octaves of the
manual: it would sound too treblish if you play in the upper octaves because the
two first drawbars are missing.
The leslie has been stopped and the vibrato is off.
In the second MP3 we can have a taste of the typical Shirley Scott way of
soloing... Soft and delicate in phrasing, never obvious and always rich of swing
and bebop echoes.
The preset should be the same as before. The only difference is the
Leslie, which is set on "fast".
In the second part of her solo she changes preset, probably using another
one of the factory presets, close to a "full organ" sound like the ones
frequently used by "Wild" Bill Davis and
Shirley's source of inspiration.
Her "block chords" solo shows us she really deserves her nickname of "The
Queen of the Organ"...
2000-2002 Jazzitalia.net - Alberto Marsico - All rights reserved
© 2000 - 2017 All the material published on Jazzitalia is exclusively owned by the author. Moreover it is protected by International Copyright, so it is forbidden any use of it which isn't authorised by the rights' owner.
This page has 6.416 hits
Last Modified Date: 14/02/2002